INDIAN PHOTOGRAPHER vintage photo big gun Bidar fort India c1880 LALA DEEN DAYAL

$901.90 Buy It Now, FREE Shipping, 30-Day Returns, eBay Money Back Guarantee
Seller: memorabilia111 ✉️ (808) 100%, Location: Ann Arbor, Michigan, US, Ships to: US, Item: 176253070331 INDIAN PHOTOGRAPHER vintage photo big gun Bidar fort India c1880 LALA DEEN DAYAL. vintage large fair condition photograph of a large gun in the fort of Bidar, India , ca 1880 photographer: Lala Deen Dayal, Secunderabad, India (see stamp ) Approximate dimension: : photo: 20 x 26 cm; 8 x 10 1/2 inches Lala Deen Dayal 1844 – 1905; famously known as Raja Deen Dayal was an Indian photographer. His career began in the mid-1870s as a commissioned photographer; eventually he set up studios in Indore, Mumbai and Hyderabad.  
Lala Deen Dayal (Hindi: लाला दीन दयाल) 1844 – 1905; (also written as 'Din Dyal' and 'Diyal' in his early years) famously known as Raja Deen Dayal[1]) was an Indian photographer. His career began in the mid-1870s as a commissioned photographer; eventually he set up studios in Indore, Mumbai and Hyderabad. He became the court photographer to the sixth Nizam of Hyderabad, Mahbub Ali Khan, Asif Jah VI, who awarded him the title Raja Bahadur Musavvir Jung Bahadur, and he was appointed as the photographer to the Viceroy of India in 1885.[2] He received the Royal Warrant from Queen Victoria in 1897.[3] Contents 1 Early life and education 2 Career 3 Legacy 4 Gallery 5 Notes 6 References 7 Further reading 8 External links Early life and education Deen Dayal was born in Sardhana, Uttar Pradesh, near Meerut in a family of jewellers. He received technical training at Thomason College of Civil Engineering at Roorkee (now IIT Roorkee) in 1866 as an engineer in lower subordinate class.[4] Career In 1866, Deen Dayal entered government service as head estimator and draughtsman in the Department of Works Secretariat Office in Indore.[5] Meanwhile, he took up photography. His first patron in Indore was Maharaja Tukoji Rao II of Indore state, who in turn introduced him to Sir Henry Daly, agent to the Governor General for Central India (1871–1881) and the founder of Daly College, who encouraged his work, along with the Maharaja himself who encouraged him to set up his studio in Indore. Soon he was getting commissions from Maharajas and the British Raj.[4] The following year he was commissioned to photograph the governor general's tour of Central India.[6] In 1868, Deen Dayal founded his studio – Lala Deen Dayal & Sons – and was subsequently commissioned to photograph temples and palaces of India.[6] He established studios in Indore (Mid 1870s), Secunderabad (1886) and Bombay (1896).[7] In 1875–76, Deen Dayal photographed the Royal Tour of the Prince and Princess of Wales.[5] In the early 1880s he travelled with Sir Lepel Griffin through Bundelkhand, photographing the ancient architecture of the region.[8] Griffin commissioned him to do archaeological photographs: The result was a portfolio of 86 photographs, known as "Famous Monuments of Central India".[9] The next year he retired from government service and concentrated on his career as a professional photographer. Deen Dayal became the court photographer to the sixth Nizam of Hyderabad in 1885. Soon afterward he moved from Indore to Hyderabad.[9] In the same year he was appointed as the photographer to the Viceroy of India.[10] In time, the Nizam of Hyderabad conferred the honorary title of Raja upon him. It was at this time that Dayal created the firm Raja Deen Dayal & Sons in Hyderabad.[10] Deen Dayal was appointed photographer to Queen Victoria in 1897.[10] In 1905–1906, Raja Deen Dayal accompanied the Royal Tour of the Prince and Princess of Wales.[10] Legacy Lala Deen Dayal on a 2006 stamp of India The Lala Deen Dayal studios' collection of 2,857 glass plate negatives was bought by the Indira Gandhi National Centre for the Arts (IGNCA), New Delhi in 1989. Today it is the largest repository of his work. A large collection including celebrated images of the 1870s' famine are with the Peabody Essex Museum, US and the Alkazi collection in Delhi. In 2010, a retrospective exhibition of his work was held at IGNCA, curated by Jyotindra Jain.[11][12] In 2006, a curated collection of Raja Deen Dayal's photographs was exhibited at the Salar Jung Museum during the Times Hyderabad Festival;[13] subsequently in November, the Ministry of Communications, Department of Posts released a commemorative stamp honouring him; the ceremony was held at Jubilee Hall, Hyderabad.[3] Gallery Photographs taken by Deen Dayal in the 1880s, sourced from the British Library, George Curzon's Collection: Views of HH the Nizam's Dominions, Hyderabad, Deccan, 1892. Purana Pul, Hyderabad   Bashir Bagh Palace, Hyderabad   The interior of the Basir-bagh Palace   Drawing Room of Chowmahalla Palace, Hyderabad   A distant view of the Falaknuma Palace from an opposite hillside, taken by in the 1880s   Rashtrapati Nilayam, Hyderabad, then Residency House circa 1892 I AM back to photography in this column, but this time the photographer is a celebrated Indian, and the age in which he lived ended a hundred years ago. Narendra Luther’s recent book, Raja Deen Dayal: Prince of Photographers, provides me with the occasion. There is an aura that has come to be attached to this name. Every book on early Indian photography speaks of Deen Dayal; the title of ‘Raja’ that he carried — conferred upon him by the sixth Nizam of Hyderabad in 1895 — ensures that he is seen as being a cut above others of his times; exhibitions dedicated to his work continue to draw crowds even today; collectors and aficionados keep looking for his signatures. And, by any count, Deen Dayal’s is an extraordinary success story. Few could have foretold that this man — a Jain by birth, born in the small town of Sardanah near Meerut, not connected through family with an interest in the arts of any kind — would come to be regarded one day as the foremost photographer of India, receive a warrant of appointment from Queen-Empress Victoria, herself, be sought after by princes and nobles all over the land. Having honed his skills as a ‘picture-maker’, and endowed with a shrewd business sense, Deen Dayal founded studios in different cities — Secunderabad, Bombay, Madras, Indore, among others — that came to acquire the prestige of a brand name. India of those colonial times, with the English presence so palpable, was home to many a European photographer and photographic firm, including the renowned Bourne & Shepherd of Calcutta and Simla, and Johnston & Hoffmann. But whose photographs of that most glittering spectacle, the Delhi Durbar of 1903, does one remember and admire? Raja Deen Dayal’s, of course. EARLIER COLUMNS The curling roots of time January 25, 2004 Looking at medicine through art January 11, 2004 The uncertain world of valuation December 14, 2003 Seasons of longing November 16, 2003 Greed in the land of antiques November 2, 2003 Of elegant walks & sculpted silks October 19, 2003 Pattern-drawers of Benares October 5, 2003 Kaghaz ki kahani September 21, 2003 The rains in poetry and painting September 7, 2003 The way of the brush August 24, 2003 Portrait of a Hyderabad noble, Rai Lakshmanraj, by Deen Dayal Portrait of a Hyderabad noble, Rai Lakshmanraj, by Deen Dayal Narendra Luther tells the story well, and intelligibly. Walking the reader first through the history of photography in the West and its early appearance in India, and establishing the texture of those colonial times with its swaggering sahibs and hardworking bureaucrats, he comes to Hyderabad where Deen Dayal came to settle down and won the esteem, almost the affection, of the then Nizam, Mehboob Ali Khan. One sees a graph of the Raja’s career also through his photographs that keep company to the text: the early interest in photographing monuments and abandoned sites that brought him to the notice of men like Lepel Griffin and more than one Viceroy and Governor; an exploration of the life and times of the princes and people of Hyderabad, and so on. We do not get to know much about the kind of equipment that he used and kept adding to, or any new insights into the techniques he developed. But there are all those lavish, and crisp, images of rulers and their guests ranged along unendingly long dining tables, hunters posing with their proud feet planted upon dead tigers, monumental calligraphy in Kufic and Naskh on the walls of the Moti Masjid, the Maharaja of Rewa’s opulent carriage drawn by two elephants in the procession at the Delhi Durbar, wild-looking Rajput chiefs with eyes that look dazed by the change that has come over times, young princesses primly reclining on couches. Along the way one learns something of the business practices — and acumen — of Raja Deen Dayal himself. There is that story of how the photographer decided to engage as an assistant an Englishwoman exclusively for taking pictures of high-born women in the zenanas of royal palaces, and advertised this fact widely. Also the story of how the Raja would pick up cotton swabs dipped in a favoured ittar that the Nizam used to throw after use, and then dab the backs of his pictures before presenting them to the Nizam. This elicited the remark: "It is remarkable, Deen Dayal. You are able to bring out even my ittar in my picture!" I also found fascinating the idea of reproducing a sheet that the photographer and his assistants used to hand over to potential customers, containing ‘Hints to sitters’. Among them: "The following colours for costumes are the best to be photographed in — cream, light greys, and light tints generally. Dead blacks and whites are not so good. Dark reds and browns, heavy greens and yellows come out nearly the same as blacks." And the USP of the studio: "Although babies and children often occasion much trouble and require a large number of plates, we make no extra charge. The book is rich in photographs. But what the reader might find a bit confusing is how photographs taken by Deen Dayal, and those taken before his times or after, all mingle and jostle against one another, with no clear guide provided to authorship. I wish that the photographs had all been of even quality, at least even sharpness. The fuzz and the grain that second or third generation reproductions often acquire cast a less than fair light upon the originals. Brush & the lens In the end, a word about the epigraph with which Narendra Luther’s engaging book opens: a couplet in Urdu that the sixth Nizam himself composed in honour of the photographer. As it is reproduced, it reads: "Ajab yeh karte hain tasvir men kamaal kamaal/Ustadon ke hain ustad Raja Deen Dayal" (In the art of photography, surpassing all,/A master of masters is Raja Deen Dayal.)" As far as I know, the original, at least according to the Farhang-I Asifiya, read: "Ajab yeh karte hain tasvir mein kamaal kamaal/musavviron ke hain ustad Lala Deen Dayal". I point this out not only because "ustadon" in the couplet as cited does not fit into the metre, producing a sakta as Urdu knowers would say, but because replacing the word musavviron (painters) with ustadon (masters) robs the couplet of the fine reference to the comparative arts of painting and photography. What the Nizam said was that this gifted photographer is far ahead of the painters, and can teach them a thing or two! Which he could perhaps, given the state to which painting had been reduced by that time.  The Ministry of Communications, Department of Posts released a commemorative stamp in honour of pioneering Indian photographer Lala Deen Dayal at Jubilee Hall here on Saturday. Chief Post Master General, Andhra Pradesh Circle, Yesodhara Menon released the stamp in the presence of Union Minister of State for Mines T. Subbarami Reddy and Member of Parliament Gireesh Kumar Sanghi. Sheer brilliance Addressing the gathering, the Minister said Lala Deen Dayal captured varied images with his sheer brilliance and opined that even in this digital age many photographers could not match Deen Dayal's ability. A special audio-visual presentation was also organised by the Dayal family members depicting the collections of Lala Deen Dayal's works during the pre-eminent 19th century. Later, Mr. Sanghi congratulated the Ministry of Communications for releasing a stamp in memory of Lala Deen Dayal, who received the Royal Warrant from Queen Victoria in 1897. The doyen of Indian Photographers, Raja Deen Dayal was born in 1844 at Sardhana in Meerut in United Provinces. He received technical education at Thomason Civil Engineering College in Roorkee after which he joined as head estimator and draftsmen in the Public Works Department at Indore. The ruler of Indore, Maharaja Tukoji II, encouraged him to set up his studio there. The studio of Raja Deen Dayal and Sons, Secunderabad, 1890. Sir Henry Daly the Agent to the Governor General encouraged him. According to his Memoirs he was thus able to obtain the patronage of Lord North brook the Governor General of India in 1874. He accompanied Sir Lepel Griffin in his central India tour during which he photographed views of Gwalior, Khajraho and other sites in Central India. In 1896 he expanded his business and opened the largest photography studio in Bombay, which was patronized by the Indians as well as the British. The Nizam visited his studio at Bombay and invited him to Hyderabad. He established a Photographic Studio in Secunderabad. The Nizam Mahaboob Ali Pasha, Nizam VI was photographed by Raja Deen Dayal during his Shikars/Wedding Ceremonies, visits by foreign royalty. The Nizam of Hyderabad conferred of him the Title of Raja Musavir Jung Bahadur and a Mansab. Raja Deen Dayal (seated in the front row, centre) surrounded by the employees of the Secunderabad Studio, 1895. Raja Deendayal had two sons Gyanchand and Dharamchand assisting him. Dharmchand died in 1904 and this was a grievous loss to him. Besides the Nizam, Raja Deen Dayal photographed various British, Military exercises, the visit of King George V, then Prince of Wales. He also accompanied the Nizam VI to Delhi for the Durbar in 1903. He was honored in 1885 by Lord Dufferin and appointed official photographer to the Viceroy and also to successive viceroys like Earl Elgin and Duke of Connaught. He had a unique honor of being appointed as “Photographer to Her Majesty and Queen” by Queen Victoria in 1887. He received numerous awards in exhibitions in India and abroad notable the World Colombian Commission in 1893 in USA. He passed away on 5th July 1905. His son Gyan Chand continued his work in Hyderabad studio and subsequently his sons Trilok Chand, Hukum Chand and Ami Chand continued the business in Hyderabad. Lala Deen Dayal (also written as 'Din Dyal' and 'Diyal' in his early years) was born at Sardhana near Meerut in 1844. He studied at the reputed Thomson College of Civil Engineering at Roorkee (now IIT, Roorkee) and graduated at the top of his class scoring 258 out of a maximum of 260 marks. In 1866 he became an estimator and draughtsman in the Department of Public Works Secretariat office in Indore. During the course of his job he developed a keen interest in photography and was encouraged by Sir Henry Daly, the Agent to the Governor General for Central India. In 1874 he photographed the Viceroy Lord Northbrook, and in the following year 1875-76, he photographed the royal visit of the Prince of Wales. Impressed by his talent, Sir Henry took Deen Dayal along with him on his tour of Bundelkhand. In 1882-83 Deen Dayal again toured Bundelkhand with Sir Lepel Griffin who was then the Agent. His photographs of palaces, forts and temples in Gwalior, Khajuraho, Rewa and Sanchi were splendidly reproduced by the Autotype carbon process in Sir Lepel Griffin's book Famous Monuments of Central India (London 1886). He subsequently took a two year furlough from his official duties in order to concentrate on completing a series of views. Meanwhile he had opened studios in Indore ( around 1874), Secunderabad (around 1886-87) and Bombay in 1896. He sought retirement from the PWD in March 1887 and by then had been the Head Draftsman and Estimator for many years. By far his most wealthy and flamboyant patron was Mahbub Ali Khan the sixth Nizam of Hyderabad, who appointed him the court photographer in 1894 and anointed him with the title of Raja Bahadur Musavir Jung. Similar appointments by a number of Viceroys followed culminating with the royal appointment to Queen Victoria in 1897 Pages  from  Deen  Dayal's  Views  Catalogue Over 50 people were employed in the three branches and part of the business was supervised by Deen Dayal's two sons Gyan Chand (1867- d.1919) and Dharam Chand (1869-d.1904). In 1892 he opened a Zenana studio, probably the first in India at the Secunderabad studio. Deen Dayal breathed his last in July 1905 preceded by the untimely demise of his wife a couple of months earlier. The mantle of running the firm was taken up by the able hands of Gyan Chand and he continued to do till his death. Raja Deen Dayal – The Studio Archives from the IGNCA collection, is a show that opened on Indira Gandhi's birthday in a new gallery space at the IGNCA in Delhi. As one entered the premises large sepia blow-ups of Deen Dayal's work were framed against old trees lit warmly on the campus. The cultural archives of the IGNCA in a significantly prescient move had acquired, in 1989, the collection of near 2900 glass plate negatives and other objects from the family of Raja Deen Dayal such as studio props, cameras, lenses and studio registers. There are 220 images from these negatives, which are digital reproductions of bromide silver photographs, which were produced after the selected images were cleaned and colour corrected to present them in a condition closest to the original, in a splendid exhibition curated by Dr.Jyotindra Jain and Pramod Kumar K.G. Early days Born into a Jain family of Sardhana, near Meerut, Deen Dayal rose from being a civil engineer at the Indore Public Works Department after completing his studies and spending sometime there as a head estimator and draftsman. When he began to take photographs, he came to the attention of the Maharaja of Indore, Tukoji Rao II and soon opened his studio there with commissions from the Maharaja and the British. Sir Lepel Griffin of the Bengal Civil Service commissioned him to do archaeological photographs and he created a portfolio of 86 photographs that were known as ‘Famous Monuments of Central India'. From 1885 he worked as a photographer at the court of the sixth Nizam of Hyderabad where he established a base and his family continued the studios after him with the seventh Nizam as well. Branches in Bombay and Indore were run by his sons as well and today in Hyderabad descendants continue to run the studio. Dr. Jyotindra Jain, an authority on popular culture and well known for his setting up of the Crafts Museum in Delhi, says in his curator's note: “One of the criteria kept in mind while selecting images for the exhibition was that each image reflected a certain degree of aesthetic, subjective, performative or ‘double entendre' layering, evoking the Deen Dayal essence. Typical of Raja Deen Dayal's ethos, which is reflected in his collective body of work, is that he was primarily a patron's and a commissioner's photographer whose aesthetic conceptualisations balanced between his fine photographic vision and the performative dispositions of his clients/subjects”. The exhibition has been arranged in chronological and thematic loops starting with his work of early architectural wonders, then going to his time in Hyderabad and after that his commissions of royalty across India as well as studio portraits and ethnographic studies. The excellent exhibition design and accompanying catalogue done by the Vivek Sahni Studio are a great enhancer to the absorption of the visuals in one's mind's eye. At the entrance is a large blown up image of the fountains in front of Gopal Bhavan palace in Deeg Rajasthan. Here water bodies cooled the royalty in the summer months and pleasure pavilions were planned around that. In this image is the arch for a swing or “ hindola” believed to have belonged to Shah Jahan. The visual allows you with a blink of an eye to imagine princes and princess cavorting at dusk as cool breezes brought in the fragrances of the gardens at hand. Pramod Kumar K.G. says in his curator's comment: “Most of the photographs in this series show views of historical monuments with some sites photographed from two or more vantage positions. In Deen Dayal's set manner of photographing monuments, these structures are seen in the middle of the frame against the clear sky, the foreground showing empty space or water. Most of these sites have changed dramatically over the years and some no longer exist.” In his times with the Nizam he not only photographed him but also his close friends, courtiers and those in the Zenana. An interesting photograph that reveals the openness and broadmindedness of one of the Nizam's close confidantes is a family portrait of Sir Afzar Jung Bahadur, the ADC and commander of the Hyderabad army, along with his family. The painted backdrop and props indicate that it was taken at the Deen Dayal Studios, and unusually, for a Muslim nobleman's family in the late nineteenth century, posed in western clothes. Visible here is the use of wax around the heads of the sitters to enhance the same in the print by increasing the contrast of the negative. Part of the ceremony of the Raj besides the durbars and show of pomp and pageantry for visiting royalty and the British were the ‘Shikhars' or hunts. What may be seen as politically incorrect now was par for the course and the ‘Shikhar' photographs have many visuals of a relaxed camaraderie amongst the closer group of the Nizam with strict court hierarchy loosened in the camp. However one monumental and somewhat strange picture is of the Nizam with a tableaux of stretched carcass skins over a wall with the Nizam in the margins but a board proclaiming him as ‘The Royal Champion Crackshot'. As a practising Jain, Deen Dayal must have been conflicted over shooting this particular photograph. Sir Afzar Jung and family, Hyderabad, c. 1890, taken at the Deen Dayal Studio; The fact that the family stayed in touch for over two decades after the passing away of the sixth Nizam shows how deeply entrenched they were at the Hyderabad Court. A picture of the two sons of the Seventh Nizam Mir Osman Ali Khan shows Prince Azam and Muazzam Jah. Here one can see the royal children have had the studio come to the palace in all likelihood. The sitters remind one of the twins in Harry Potter's Hogwart's school. Stuffed and spoilt and ready for food and slumber, miniature minions of sloth! Dual gaze One of the earliest patrons of Deen Dayal was the Maharaja of Dhar — in an extremely simple but unusual photograph Maharaja Anand Rao Pur III of Dhar is shown holding his nephew and successor with an attendant standing slightly apart, maintaining court hierarchy. It is interesting to note that royalty gazes at the camera and the attendant is looking somewhere else. Speaking of the gaze, these photographs were ordered by many; royalty autographed some while heritage buildings were snapped up in folios by travellers, and those of ethnographic accounts as well. As Jyotindra Jain says, “The mise en scene for “performing” these receptions and darbars were the palaces, especially Chowmohalla and Falaknuma, with their spectacular halls decked with ornate ceilings, glittering chandeliers and mirrors, exuberant curtains and drapery, luxurious carpets and plenteous colonial furniture. That Deen Dayal had to engage with and capture a dual gaze – his own as photographer and the Nizam's as performer and onlooker of his own performance – becomes evident from his pictures of the palace interiors: they are construed as spaces awaiting a performance even after it has already begun. It comes as no surprise, then, that later historians of colonial India often used the phrase “performing a darbar” rather than “holding a darbar”. Gopal Bhavan Palace, Deegh, c.1880-85. In some ways the photograph of the Cenotaph of Sangram Singh of Ahar, Mewar with its large rising staircase blown up at the entrance is a metaphor for what the IGNCA could become — a mausoleum of archives of its collections. It is to the credit of its management's energy that this revival has allowed for infusing a dynamic life to the collections and environs and populating the space with as many visitors as birds who were setting in at dusk in the large banyan and peepul trees on the premises. Not only for the archives to be seen but also the voices of important curators like Dr.Jyotindra Jain and Pramod Kumar K.G. to be heard so that the bulk of the archives make a continuum with our present lived realities and contexts. This is an effort and a show to be enjoyed, visited and applauded. It is a world we'll never see again. The ethos of an age gone by comes alive in the collection of Raja Deen Dayal's photographs, carefully curated and exhibited at the Salar Jung Museum by The Times of India as part of its Times Hyderabad Festival. The exhibition, which began on Tuesday, captures the rich texture of the city's Asaf Jahi days, with images of stately banquets, gilded durbars, polo matches, viceregal visits bespeaking of the famed hospitality of the Nizams. For a modern contrast, the exhibition also serves up a collection of images from The Times of India's archives, shot by its photographer P Ramoorthy. The exhibition gives a gripping narration of the life and style of Hyderabad over the last 150 years: from the pictures of demure princesses at state banquets to images of today's Old City schoolgirls doing a perfect 180 degree split as they practice martial arts, the exhibition runs a narrative skein of change and continuity. It is a delight to see the Hussain Sagar at its natural best as it was in 1892, Lord and Lady Curzon posing with their 'trophies' after a hunting expedition during their visit to Hyderabad in 1902, Bella Vista brightly lit up for the silver jubilee of H.E.H the Nizam, the garden party at Baradari during the visit of Lord and Lady Willingdon to Hyderabad in 1933. All tell the story of an opulent city as a prince would have seen it. The exhibition is also a narrative of change. The grand Charminar and alongside it the utilitarian Hi-Tec City together plot the extremities of Hyderabad's journey from being a city of princely splendour to a metropolis of oligarchic enterprise. While Raja Deen Dayal's pictures of inner-palace billiards tables throw light on the dainty pastimes of the past, the picture of Sania Mirza, the sparkling nose ring and the careless lock on her forehead, speaks of the pluck and sass of today's youngster. Like in any creative pursuit, the attraction of the exhibition is the painter himself-his persona, his perceptions, the insight into his mind, what it was that he thought was worthy enough of being captured for posterity and what not. Raja Deen Dayal draws a picture of his time-lavish palatial interiors, royal pavilions, glistening chandeliers, rich garden parties, lords and ladies. The princes are absent in today's pictures. The common man is the hero. That in sum is the story of Hyderabad. It began with the splendid exhibition titled The Waterhouse Albums at the Triveni Kala Sangam in Delhi in January,and seems to have peaked with Raja Deen Dayal,a mini-retrospective of the pioneer photographer at the Indira Gandhi National Centre of Arts,(IGNCA). 2010 seems to be the year for sepia-tinted photographs from the1850s to the late 1900s,and this revival of the past is too systematic to be a coincidence. One could reason that it is perhaps the result of years of perseverance by the curators,to preserve,restore and present images from our collective past. Photography was brought to India by the East India Company,in the 1850s,as a surveillance tool. “Portraits of the ‘natives’ were historical documents and a source of information for those who wish to know more about the people we have taken on to guide and govern,” wrote John Falconer,currently at the Oriental and India Office Collections of the British Library,London. Bourne and Shepherd,Johnston and Hoffman,Collin Murray,G. W Lawrie and Raja Deen Dayal left behind a great body of photography that documents these times. There were also several unknown photographers whose work has been showcased in various archives. These were not innocuous photographs but documents of conquest,much like what one observed in Company School paintings executed by the likes of the Daniel brothers before the advent of photography. In the same manner that Raja Ravi Varma learnt oil painting from Theodore Jansen,Raja Deen Dayal became the first “native” photographer to learn the craft of making images in a “scientific” manner. However,like Ravi Varma,Deen Dayal followed many of the methods and trends practised by the British photographers. In the postmodern context,artists like the Delhi-based Pushpamala N. have devoted their entire oeuvre to critiquing and masquerading around some of these colonial images. In her book Native Women of South India,Pushpamala presents us with a collection of images that document her enactments of the various tropes perpetuated by early painters and photographers following the Company School style. We see her posing as Ravi Varma’s muse,a damsel by the edge of a river,or as a Toda tribal woman,and as a divinity,Lakshmi,atop a lotus in a style reminiscent of the kitschy calendar art that Ravi Varma’s followers carried on. These images are playfully tongue-in-cheek,and bring home the stereotypes perpetuated by male artists working in pre-modern era. While Pushpamala’s critical position is vital for understanding and repositioning one’s view of our past,the reacquisition,presentation and preservation of the original albums of the 1800s is also a vital act — a way of reclaiming the past for oneself and making peace with it. Vintage prints are also important because they document social and political life in the subcontinent,through the interdisciplinary fields of architecture,anthropology,topography and archaeology starting from the 1850s,and leading up to the rise of modern India and the independence movement. For instance,the Waterhouse’s collection,part of Alkazi’s archive,contains rare portraits of Begum Sikandar and even rarer images of the four begums of Bhopal in one frame. The young army officer was also a photography enthusiast and spent months at the royal court of Bhopal. The civil surgeon John Nicholas Tressider’s album that is also part of the Alkazi Foundation uncovered some shocking and interesting facts. For instance,the works of the Italian Felice Beato (1834-c.1907),also known as the first “war photographer”,because of his images of the Crimean War,engages in India in a large venture to record all the significant sites affected by the ravages of the 1857 mutiny. The images were intended to illustrate the landscapes of a decaying dynasty,which were fading away under the onslaught of the British victory. Certain sites,therefore,achieved iconic status through repeated representations that drew on memories of siege: Kashmere Gate in Delhi,the Residency complex in Lucknow and the Sati Chowra Ghat in Kanpur. One of the most controversial and noteworthy photographs taken by Beato is a large print of an array of skeletons scattered in front of a Grecian-looking building. This image was a reconstruction that Beato achieved by literally exhuming bodies from their graves and then scattering their bones around. By evoking these memories of past brutality,they recreated for the colonisers a moment of catastrophe,but a triumph nonetheless. When we look at these images today,we realise that the line between documentary and fiction was blurred long before the advent of Photoshop. Sitters could be made to look better or more beautiful through clever positioning before the lens to exploit their best angle before camera. Histories could be re-enacted,backgrounds were painted in and montages were created through double exposure plates. Exhuming our past prompts the question: have we changed all that much? Lala Raja Deen Dayal, pioneer Indian 19th century photographer(1844-1905). has left for us an exquisite photographic record of British India, of a bygone Colonial era influenced by Native Princely India- its picturesque opulence, rich costumes, whiskered nobility, hookah bearers, royal palaces, hunts, and parades, elephant carriages, historic events - golden moments captured on "silver" plates for posterity             Lala Deen Dayal It was not only in his portraitures and "sovereign scenarios" that Lala Deen Dayal excelled. His lens captured the culture and tradition of India's rich architectural heritage, temples, monuments, forts, views, and memorials. His extensive series of Indian views forms a timeless travelogue of the country. A unique repertoire of the excellence of Black and White photography, with early techniques, processes and equipment which produced living images and left its impact on the history of art and printing.   लाला दीन दयाल
India, officially the Republic of India (ISO: Bhārat Gaṇarājya),[25] is a country in South Asia. It is the seventh-largest country by area; the most populous country as of June 1, 2023;[26][27] and from the time of its independence in 1947, the world's most populous democracy.[28][29][30] Bounded by the Indian Ocean on the south, the Arabian Sea on the southwest, and the Bay of Bengal on the southeast, it shares land borders with Pakistan to the west;[j] China, Nepal, and Bhutan to the north; and Bangladesh and Myanmar to the east. In the Indian Ocean, India is in the vicinity of Sri Lanka and the Maldives; its Andaman and Nicobar Islands share a maritime border with Thailand, Myanmar, and Indonesia. Modern humans arrived on the Indian subcontinent from Africa no later than 55,000 years ago.[31][32][33] Their long occupation, initially in varying forms of isolation as hunter-gatherers, has made the region highly diverse, second only to Africa in human genetic diversity.[34] Settled life emerged on the subcontinent in the western margins of the Indus river basin 9,000 years ago, evolving gradually into the Indus Valley Civilisation of the third millennium BCE.[35] By 1200 BCE, an archaic form of Sanskrit, an Indo-European language, had diffused into India from the northwest.[36][37] Its evidence today is found in the hymns of the Rigveda. Preserved by an oral tradition that was resolutely vigilant, the Rigveda records the dawning of Hinduism in India.[38] The Dravidian languages of India were supplanted in the northern and western regions.[39] By 400 BCE, stratification and exclusion by caste had emerged within Hinduism,[40] and Buddhism and Jainism had arisen, proclaiming social orders unlinked to heredity.[41] Early political consolidations gave rise to the loose-knit Maurya and Gupta Empires based in the Ganges Basin.[42] Their collective era was suffused with wide-ranging creativity,[43] but also marked by the declining status of women,[44] and the incorporation of untouchability into an organised system of belief.[k][45] In South India, the Middle kingdoms exported Dravidian-languages scripts and religious cultures to the kingdoms of Southeast Asia.[46] In the early medieval era, Christianity, Islam, Judaism, and Zoroastrianism became established on India's southern and western coasts.[47] Muslim armies from Central Asia intermittently overran India's northern plains,[48] eventually founding the Delhi Sultanate, and drawing northern India into the cosmopolitan networks of medieval Islam.[49] In the 15th century, the Vijayanagara Empire created a long-lasting composite Hindu culture in south India.[50] In the Punjab, Sikhism emerged, rejecting institutionalised religion.[51] The Mughal Empire, in 1526, ushered in two centuries of relative peace,[52] leaving a legacy of luminous architecture.[l][53] Gradually expanding rule of the British East India Company followed, turning India into a colonial economy, but also consolidating its sovereignty.[54] British Crown rule began in 1858. The rights promised to Indians were granted slowly,[55][56] but technological changes were introduced, and modern ideas of education and the public life took root.[57] A pioneering and influential nationalist movement emerged, which was noted for nonviolent resistance and became the major factor in ending British rule.[58][59] In 1947 the British Indian Empire was partitioned into two independent dominions,[60][61][62][63] a Hindu-majority Dominion of India and a Muslim-majority Dominion of Pakistan, amid large-scale loss of life and an unprecedented migration.[64] India has been a federal republic since 1950, governed through a democratic parliamentary system. It is a pluralistic, multilingual and multi-ethnic society. India's population grew from 361 million in 1951 to almost 1.4 billion in 2022.[65] During the same time, its nominal per capita income increased from US$64 annually to US$2,601, and its literacy rate from 16.6% to 74%. From being a comparatively destitute country in 1951,[66] India has become a fast-growing major economy and a hub for information technology services, with an expanding middle class.[67] It has a space programme. Indian movies, music, and spiritual teachings play an increasing role in global culture.[68] India has substantially reduced its rate of poverty, though at the cost of increasing economic inequality.[69] India is a nuclear-weapon state, which ranks high in military expenditure. It has disputes over Kashmir with its neighbours, Pakistan and China, unresolved since the mid-20th century.[70] Among the socio-economic challenges India faces are gender inequality, child malnutrition,[71] and rising levels of air pollution.[72] India's land is megadiverse, with four biodiversity hotspots.[73] Its forest cover comprises 21.7% of its area.[74] India's wildlife, which has traditionally been viewed with tolerance in India's culture,[75] is supported among these forests, and elsewhere, in protected habitats. Etymology According to the Oxford English Dictionary (third edition 2009), the name "India" is derived from the Classical Latin India, a reference to South Asia and an uncertain region to its east; and in turn derived successively from: Hellenistic Greek India ( Ἰνδία); ancient Greek Indos ( Ἰνδός); Old Persian Hindush, an eastern province of the Achaemenid Empire; and ultimately its cognate, the Sanskrit Sindhu, or "river," specifically the Indus River and, by implication, its well-settled southern basin.[76][77] The ancient Greeks referred to the Indians as Indoi (Ἰνδοί), which translates as "The people of the Indus".[78] The term Bharat (Bhārat; pronounced [ˈbʱaːɾət] (listen)), mentioned in both Indian epic poetry and the Constitution of India,[79][80] is used in its variations by many Indian languages. A modern rendering of the historical name Bharatavarsha, which applied originally to North India,[81][82] Bharat gained increased currency from the mid-19th century as a native name for India.[79][83] Hindustan ([ɦɪndʊˈstaːn] (listen)) is a Middle Persian name for India that became popular by the 13th century,[84] and was used widely since the era of Mughal Empire. The meaning of Hindustan has varied, referring to a region encompassing present-day northern India and Pakistan or to India in its near entirety.[79][83][85] History Main articles: History of India and History of the Republic of India Ancient India Manuscript illustration, c. 1650, of the Sanskrit epic Ramayana, composed in story-telling fashion c. 400 BCE – c. 300 CE[86] By 55,000 years ago, the first modern humans, or Homo sapiens, had arrived on the Indian subcontinent from Africa, where they had earlier evolved.[31][32][33] The earliest known modern human remains in South Asia date to about 30,000 years ago.[31] After 6500 BCE, evidence for domestication of food crops and animals, construction of permanent structures, and storage of agricultural surplus appeared in Mehrgarh and other sites in Balochistan, Pakistan.[87] These gradually developed into the Indus Valley Civilisation,[88][87] the first urban culture in South Asia,[89] which flourished during 2500–1900 BCE in Pakistan and western India.[90] Centred around cities such as Mohenjo-daro, Harappa, Dholavira, and Kalibangan, and relying on varied forms of subsistence, the civilisation engaged robustly in crafts production and wide-ranging trade.[89] During the period 2000–500 BCE, many regions of the subcontinent transitioned from the Chalcolithic cultures to the Iron Age ones.[91] The Vedas, the oldest scriptures associated with Hinduism,[92] were composed during this period,[93] and historians have analysed these to posit a Vedic culture in the Punjab region and the upper Gangetic Plain.[91] Most historians also consider this period to have encompassed several waves of Indo-Aryan migration into the subcontinent from the north-west.[92] The caste system, which created a hierarchy of priests, warriors, and free peasants, but which excluded indigenous peoples by labelling their occupations impure, arose during this period.[94] On the Deccan Plateau, archaeological evidence from this period suggests the existence of a chiefdom stage of political organisation.[91] In South India, a progression to sedentary life is indicated by the large number of megalithic monuments dating from this period,[95] as well as by nearby traces of agriculture, irrigation tanks, and craft traditions.[95] Cave 26 of the rock-cut Ajanta Caves In the late Vedic period, around the 6th century BCE, the small states and chiefdoms of the Ganges Plain and the north-western regions had consolidated into 16 major oligarchies and monarchies that were known as the mahajanapadas.[96][97] The emerging urbanisation gave rise to non-Vedic religious movements, two of which became independent religions. Jainism came into prominence during the life of its exemplar, Mahavira.[98] Buddhism, based on the teachings of Gautama Buddha, attracted followers from all social classes excepting the middle class; chronicling the life of the Buddha was central to the beginnings of recorded history in India.[99][100][101] In an age of increasing urban wealth, both religions held up renunciation as an ideal,[102] and both established long-lasting monastic traditions. Politically, by the 3rd century BCE, the kingdom of Magadha had annexed or reduced other states to emerge as the Mauryan Empire.[103] The empire was once thought to have controlled most of the subcontinent except the far south, but its core regions are now thought to have been separated by large autonomous areas.[104][105] The Mauryan kings are known as much for their empire-building and determined management of public life as for Ashoka's renunciation of militarism and far-flung advocacy of the Buddhist dhamma.[106][107] The Sangam literature of the Tamil language reveals that, between 200 BCE and 200 CE, the southern peninsula was ruled by the Cheras, the Cholas, and the Pandyas, dynasties that traded extensively with the Roman Empire and with West and Southeast Asia.[108][109] In North India, Hinduism asserted patriarchal control within the family, leading to increased subordination of women.[110][103] By the 4th and 5th centuries, the Gupta Empire had created a complex system of administration and taxation in the greater Ganges Plain; this system became a model for later Indian kingdoms.[111][112] Under the Guptas, a renewed Hinduism based on devotion, rather than the management of ritual, began to assert itself.[113] This renewal was reflected in a flowering of sculpture and architecture, which found patrons among an urban elite.[112] Classical Sanskrit literature flowered as well, and Indian science, astronomy, medicine, and mathematics made significant advances.[112] Medieval India Brihadeshwara temple, Thanjavur, completed in 1010 CE The Qutub Minar, 73 m (240 ft) tall, completed by the Sultan of Delhi, Iltutmish The Indian early medieval age, from 600 to 1200 CE, is defined by regional kingdoms and cultural diversity.[114] When Harsha of Kannauj, who ruled much of the Indo-Gangetic Plain from 606 to 647 CE, attempted to expand southwards, he was defeated by the Chalukya ruler of the Deccan.[115] When his successor attempted to expand eastwards, he was defeated by the Pala king of Bengal.[115] When the Chalukyas attempted to expand southwards, they were defeated by the Pallavas from farther south, who in turn were opposed by the Pandyas and the Cholas from still farther south.[115] No ruler of this period was able to create an empire and consistently control lands much beyond their core region.[114] During this time, pastoral peoples, whose land had been cleared to make way for the growing agricultural economy, were accommodated within caste society, as were new non-traditional ruling classes.[116] The caste system consequently began to show regional differences.[116] In the 6th and 7th centuries, the first devotional hymns were created in the Tamil language.[117] They were imitated all over India and led to both the resurgence of Hinduism and the development of all modern languages of the subcontinent.[117] Indian royalty, big and small, and the temples they patronised drew citizens in great numbers to the capital cities, which became economic hubs as well.[118] Temple towns of various sizes began to appear everywhere as India underwent another urbanisation.[118] By the 8th and 9th centuries, the effects were felt in South-East Asia, as South Indian culture and political systems were exported to lands that became part of modern-day Myanmar, Thailand, Laos, Brunei, Cambodia, Vietnam, Philippines, Malaysia, and Indonesia.[119] Indian merchants, scholars, and sometimes armies were involved in this transmission; South-East Asians took the initiative as well, with many sojourning in Indian seminaries and translating Buddhist and Hindu texts into their languages.[119] After the 10th century, Muslim Central Asian nomadic clans, using swift-horse cavalry and raising vast armies united by ethnicity and religion, repeatedly overran South Asia's north-western plains, leading eventually to the establishment of the Islamic Delhi Sultanate in 1206.[120] The sultanate was to control much of North India and to make many forays into South India. Although at first disruptive for the Indian elites, the sultanate largely left its vast non-Muslim subject population to its own laws and customs.[121][122] By repeatedly repulsing Mongol raiders in the 13th century, the sultanate saved India from the devastation visited on West and Central Asia, setting the scene for centuries of migration of fleeing soldiers, learned men, mystics, traders, artists, and artisans from that region into the subcontinent, thereby creating a syncretic Indo-Islamic culture in the north.[123][124] The sultanate's raiding and weakening of the regional kingdoms of South India paved the way for the indigenous Vijayanagara Empire.[125] Embracing a strong Shaivite tradition and building upon the military technology of the sultanate, the empire came to control much of peninsular India,[126] and was to influence South Indian society for long afterwards.[125] Early modern India In the early 16th century, northern India, then under mainly Muslim rulers,[127] fell again to the superior mobility and firepower of a new generation of Central Asian warriors.[128] The resulting Mughal Empire did not stamp out the local societies it came to rule. Instead, it balanced and pacified them through new administrative practices[129][130] and diverse and inclusive ruling elites,[131] leading to more systematic, centralised, and uniform rule.[132] Eschewing tribal bonds and Islamic identity, especially under Akbar, the Mughals united their far-flung realms through loyalty, expressed through a Persianised culture, to an emperor who had near-divine status.[131] The Mughal state's economic policies, deriving most revenues from agriculture[133] and mandating that taxes be paid in the well-regulated silver currency,[134] caused peasants and artisans to enter larger markets.[132] The relative peace maintained by the empire during much of the 17th century was a factor in India's economic expansion,[132] resulting in greater patronage of painting, literary forms, textiles, and architecture.[135] Newly coherent social groups in northern and western India, such as the Marathas, the Rajputs, and the Sikhs, gained military and governing ambitions during Mughal rule, which, through collaboration or adversity, gave them both recognition and military experience.[136] Expanding commerce during Mughal rule gave rise to new Indian commercial and political elites along the coasts of southern and eastern India.[136] As the empire disintegrated, many among these elites were able to seek and control their own affairs.[137] A distant view of the Taj Mahal from the Agra Fort A two mohur Company gold coin, issued in 1835, the obverse inscribed "William IV, King" By the early 18th century, with the lines between commercial and political dominance being increasingly blurred, a number of European trading companies, including the English East India Company, had established coastal outposts.[138][139] The East India Company's control of the seas, greater resources, and more advanced military training and technology led it to increasingly assert its military strength and caused it to become attractive to a portion of the Indian elite; these factors were crucial in allowing the company to gain control over the Bengal region by 1765 and sideline the other European companies.[140][138][141][142] Its further access to the riches of Bengal and the subsequent increased strength and size of its army enabled it to annex or subdue most of India by the 1820s.[143] India was then no longer exporting manufactured goods as it long had, but was instead supplying the British Empire with raw materials. Many historians consider this to be the onset of India's colonial period.[138] By this time, with its economic power severely curtailed by the British parliament and having effectively been made an arm of British administration, the East India Company began more consciously to enter non-economic arenas, including education, social reform, and culture.[144] Modern India Main article: History of the Republic of India Historians consider India's modern age to have begun sometime between 1848 and 1885. The appointment in 1848 of Lord Dalhousie as Governor General of the East India Company set the stage for changes essential to a modern state. These included the consolidation and demarcation of sovereignty, the surveillance of the population, and the education of citizens. Technological changes—among them, railways, canals, and the telegraph—were introduced not long after their introduction in Europe.[145][146][147][148] However, disaffection with the company also grew during this time and set off the Indian Rebellion of 1857. Fed by diverse resentments and perceptions, including invasive British-style social reforms, harsh land taxes, and summary treatment of some rich landowners and princes, the rebellion rocked many regions of northern and central India and shook the foundations of Company rule.[149][150] Although the rebellion was suppressed by 1858, it led to the dissolution of the East India Company and the direct administration of India by the British government. Proclaiming a unitary state and a gradual but limited British-style parliamentary system, the new rulers also protected princes and landed gentry as a feudal safeguard against future unrest.[151][152] In the decades following, public life gradually emerged all over India, leading eventually to the founding of the Indian National Congress in 1885.[153][154][155][156] The rush of technology and the commercialisation of agriculture in the second half of the 19th century was marked by economic setbacks and many small farmers became dependent on the whims of far-away markets.[157] There was an increase in the number of large-scale famines,[158] and, despite the risks of infrastructure development borne by Indian taxpayers, little industrial employment was generated for Indians.[159] There were also salutary effects: commercial cropping, especially in the newly canalled Punjab, led to increased food production for internal consumption.[160] The railway network provided critical famine relief,[161] notably reduced the cost of moving goods,[161] and helped nascent Indian-owned industry.[160] 1909 map of the British Indian Empire Jawaharlal Nehru sharing a light moment with Mahatma Gandhi, Mumbai, 6 July 1946 After World War I, in which approximately one million Indians served,[162] a new period began. It was marked by British reforms but also repressive legislation, by more strident Indian calls for self-rule, and by the beginnings of a nonviolent movement of non-co-operation, of which Mahatma Gandhi would become the leader and enduring symbol.[163] During the 1930s, slow legislative reform was enacted by the British; the Indian National Congress won victories in the resulting elections.[164] The next decade was beset with crises: Indian participation in World War II, the Congress's final push for non-co-operation, and an upsurge of Muslim nationalism. All were capped by the advent of independence in 1947, but tempered by the partition of India into two states: India and Pakistan.[165] Vital to India's self-image as an independent nation was its constitution, completed in 1950, which put in place a secular and democratic republic.[166] Per the London Declaration, India retained its membership of the Commonwealth, becoming the first republic within it.[167] Economic liberalisation, which began in the 1990s, has created a large urban middle class, transformed India into one of the world's fastest-growing economies,[168] and increased its geopolitical clout. Indian films, music, and spiritual teachings play an increasing role in global culture.[169] Yet, India is also shaped by seemingly unyielding poverty, both rural and urban;[169] by religious and caste-related violence;[170] by Maoist-inspired Naxalite insurgencies;[171] and by separatism in Jammu and Kashmir and in Northeast India.[172] It has unresolved territorial disputes with China[173] and with Pakistan.[173] India's sustained democratic freedoms are unique among the world's newer nations; however, in spite of its recent economic successes, freedom from want for its disadvantaged population remains a goal yet to be achieved.[174] Geography Main article: Geography of India India accounts for the bulk of the Indian subcontinent, lying atop the Indian tectonic plate, a part of the Indo-Australian Plate.[175] India's defining geological processes began 75 million years ago when the Indian Plate, then part of the southern supercontinent Gondwana, began a north-eastward drift caused by seafloor spreading to its south-west, and later, south and south-east.[175] Simultaneously, the vast Tethyan oceanic crust, to its northeast, began to subduct under the Eurasian Plate.[175] These dual processes, driven by convection in the Earth's mantle, both created the Indian Ocean and caused the Indian continental crust eventually to under-thrust Eurasia and to uplift the Himalayas.[175] Immediately south of the emerging Himalayas, plate movement created a vast crescent-shaped trough that rapidly filled with river-borne sediment[176] and now constitutes the Indo-Gangetic Plain.[177] The original Indian plate makes its first appearance above the sediment in the ancient Aravalli range, which extends from the Delhi Ridge in a southwesterly direction. To the west lies the Thar Desert, the eastern spread of which is checked by the Aravallis.[178][179][180] The Tungabhadra, with rocky outcrops, flows into the peninsular Krishna river.[181] Fishing boats lashed together in a tidal creek in Anjarle village, Maharashtra The remaining Indian Plate survives as peninsular India, the oldest and geologically most stable part of India. It extends as far north as the Satpura and Vindhya ranges in central India. These parallel chains run from the Arabian Sea coast in Gujarat in the west to the coal-rich Chota Nagpur Plateau in Jharkhand in the east.[182] To the south, the remaining peninsular landmass, the Deccan Plateau, is flanked on the west and east by coastal ranges known as the Western and Eastern Ghats;[183] the plateau contains the country's oldest rock formations, some over one billion years old. Constituted in such fashion, India lies to the north of the equator between 6° 44′ and 35° 30′ north latitude[m] and 68° 7′ and 97° 25′ east longitude.[184] India's coastline measures 7,517 kilometres (4,700 mi) in length; of this distance, 5,423 kilometres (3,400 mi) belong to peninsular India and 2,094 kilometres (1,300 mi) to the Andaman, Nicobar, and Lakshadweep island chains.[185] According to the Indian naval hydrographic charts, the mainland coastline consists of the following: 43% sandy beaches; 11% rocky shores, including cliffs; and 46% mudflats or marshy shores.[185] Major Himalayan-origin rivers that substantially flow through India include the Ganges and the Brahmaputra, both of which drain into the Bay of Bengal.[186] Important tributaries of the Ganges include the Yamuna and the Kosi; the latter's extremely low gradient, caused by long-term silt deposition, leads to severe floods and course changes.[187][188] Major peninsular rivers, whose steeper gradients prevent their waters from flooding, include the Godavari, the Mahanadi, the Kaveri, and the Krishna, which also drain into the Bay of Bengal;[189] and the Narmada and the Tapti, which drain into the Arabian Sea.[190] Coastal features include the marshy Rann of Kutch of western India and the alluvial Sundarbans delta of eastern India; the latter is shared with Bangladesh.[191] India has two archipelagos: the Lakshadweep, coral atolls off India's south-western coast; and the Andaman and Nicobar Islands, a volcanic chain in the Andaman Sea.[192] Indian climate is strongly influenced by the Himalayas and the Thar Desert, both of which drive the economically and culturally pivotal summer and winter monsoons.[193] The Himalayas prevent cold Central Asian katabatic winds from blowing in, keeping the bulk of the Indian subcontinent warmer than most locations at similar latitudes.[194][195] The Thar Desert plays a crucial role in attracting the moisture-laden south-west summer monsoon winds that, between June and October, provide the majority of India's rainfall.[193] Four major climatic groupings predominate in India: tropical wet, tropical dry, subtropical humid, and montane.[196] Temperatures in India have risen by 0.7 °C (1.3 °F) between 1901 and 2018.[197] Climate change in India is often thought to be the cause. The retreat of Himalayan glaciers has adversely affected the flow rate of the major Himalayan rivers, including the Ganges and the Brahmaputra.[198] According to some current projections, the number and severity of droughts in India will have markedly increased by the end of the present century.[199] Biodiversity Main articles: Forestry in India and Wildlife of India India has the majority of the world's wild tigers, approximately 3,170 in 2022.[200] A Chital (Axis axis) stag in the Nagarhole National Park in a region covered by a moderately dense[n] forest. India is a megadiverse country, a term employed for 17 countries which display high biological diversity and contain many species exclusively indigenous, or endemic, to them.[201] India is a habitat for 8.6% of all mammal species, 13.7% of bird species, 7.9% of reptile species, 6% of amphibian species, 12.2% of fish species, and 6.0% of all flowering plant species.[202][203] Fully a third of Indian plant species are endemic.[204] India also contains four of the world's 34 biodiversity hotspots,[73] or regions that display significant habitat loss in the presence of high endemism.[o][205] According to official statistics, India's forest cover is 713,789 km2 (275,595 sq mi), which is 21.71% of the country's total land area.[74] It can be subdivided further into broad categories of canopy density, or the proportion of the area of a forest covered by its tree canopy.[206] Very dense forest, whose canopy density is greater than 70%, occupies 3.02% of India's land area.[206][207] It predominates in the tropical moist forest of the Andaman Islands, the Western Ghats, and Northeast India. Moderately dense forest, whose canopy density is between 40% and 70%, occupies 9.39% of India's land area.[206][207] It predominates in the temperate coniferous forest of the Himalayas, the moist deciduous sal forest of eastern India, and the dry deciduous teak forest of central and southern India.[208] Open forest, whose canopy density is between 10% and 40%, occupies 9.26% of India's land area.[206][207] India has two natural zones of thorn forest, one in the Deccan Plateau, immediately east of the Western Ghats, and the other in the western part of the Indo-Gangetic plain, now turned into rich agricultural land by irrigation, its features no longer visible.[209] Among the Indian subcontinent's notable indigenous trees are the astringent Azadirachta indica, or neem, which is widely used in rural Indian herbal medicine,[210] and the luxuriant Ficus religiosa, or peepul,[211] which is displayed on the ancient seals of Mohenjo-daro,[212] and under which the Buddha is recorded in the Pali canon to have sought enlightenment.[213] Many Indian species have descended from those of Gondwana, the southern supercontinent from which India separated more than 100 million years ago.[214] India's subsequent collision with Eurasia set off a mass exchange of species. However, volcanism and climatic changes later caused the extinction of many endemic Indian forms.[215] Still later, mammals entered India from Asia through two zoogeographical passes flanking the Himalayas.[216] This had the effect of lowering endemism among India's mammals, which stands at 12.6%, contrasting with 45.8% among reptiles and 55.8% among amphibians.[203] Among endemics are the vulnerable[217] hooded leaf monkey[218] and the threatened[219] Beddome's toad[219][220] of the Western Ghats. The last three Asiatic cheetahs (on record) in India were shot dead in 1948 in Surguja district, Madhya Pradesh, Central India by Maharajah Ramanuj Pratap Singh Deo. The young males, all from the same litter, were sitting together when they were shot at night. India contains 172 IUCN-designated threatened animal species, or 2.9% of endangered forms.[221] These include the endangered Bengal tiger and the Ganges river dolphin. Critically endangered species include: the gharial, a crocodilian; the great Indian bustard; and the Indian white-rumped vulture, which has become nearly extinct by having ingested the carrion of diclofenac-treated cattle.[222] Before they were extensively utilized for agriculture and cleared for human settlement, the thorn forests of Punjab were mingled at intervals with open grasslands that were grazed by large herds of blackbuck preyed on by the Asiatic cheetah; the blackbuck, no longer extant in Punjab, is now severely endangered in India, and the cheetah is extinct.[223] The pervasive and ecologically devastating human encroachment of recent decades has critically endangered Indian wildlife. In response, the system of national parks and protected areas, first established in 1935, was expanded substantially. In 1972, India enacted the Wildlife Protection Act[224] and Project Tiger to safeguard crucial wilderness; the Forest Conservation Act was enacted in 1980 and amendments added in 1988.[225] India hosts more than five hundred wildlife sanctuaries and eighteen biosphere reserves,[226] four of which are part of the World Network of Biosphere Reserves; seventy-five wetlands are registered under the Ramsar Convention.[227] Politics and government Politics Main article: Politics of India As part of Janadesh 2007, 25,000 pro-land reform landless people in Madhya Pradesh listen to Rajagopal P. V.[228] A parliamentary republic with a multi-party system,[229] it has six recognised national parties, including the Indian National Congress (INC) and the Bharatiya Janata Party (BJP), and more than 50 regional parties.[230] The Congress is considered centre-left in Indian political culture,[231] and the BJP right-wing.[232][233][234] For most of the period between 1950—when India first became a republic—and the late 1980s, the Congress held a majority in the Parliament. Since then, however, it has increasingly shared the political stage with the BJP,[235] as well as with powerful regional parties which have often forced the creation of multi-party coalition governments at the centre.[236] In the Republic of India's first three general elections, in 1951, 1957, and 1962, the Pandit Jawaharlal Nehru-led Congress won easy victories. On Nehru's death in 1964, Lal Bahadur Shastri briefly became prime minister; he was succeeded, after his own unexpected death in 1966, by Nehru's daughter Indira Gandhi, who went on to lead the Congress to election victories in 1967 and 1971. Following public discontent with the state of emergency she declared in 1975, the Congress was voted out of power in 1977; the then-new Janata Party, which had opposed the emergency, was voted in. Its government lasted just over two years. There were two prime ministers during this period; Morarji Desai and Charan Singh. Voted back into power in 1980, the Congress saw a change in leadership in 1984, when Indira Gandhi was assassinated; she was succeeded by her son Rajiv Gandhi, who won an easy victory in the general elections later that year. The Congress was voted out again in 1989 when a National Front coalition, led by the newly formed Janata Dal in alliance with the Left Front, won the elections; that government too proved relatively short-lived, lasting just under two years. There were two prime ministers during this period; V.P. Singh and Chandra Shekhar.[237] Elections were held again in 1991; no party won an absolute majority. The Congress, as the largest single party, was able to form a minority government led by P. V. Narasimha Rao.[238] US president Barack Obama addresses the members of the Parliament of India in New Delhi in November 2010. A two-year period of political turmoil followed the general election of 1996. Several short-lived alliances shared power at the centre. The BJP formed a government briefly in 1996; it was followed by two comparatively long-lasting United Front coalitions, which depended on external support. There were two prime ministers during this period; H.D. Deve Gowda and I.K. Gujral. In 1998, the BJP was able to form a successful coalition, the National Democratic Alliance (NDA). Led by Atal Bihari Vajpayee, the NDA became the first non-Congress, coalition government to complete a five-year term.[239] Again in the 2004 Indian general elections, no party won an absolute majority, but the Congress emerged as the largest single party, forming another successful coalition: the United Progressive Alliance (UPA). It had the support of left-leaning parties and MPs who opposed the BJP. The UPA returned to power in the 2009 general election with increased numbers, and it no longer required external support from India's communist parties.[240] That year, Manmohan Singh became the first prime minister since Jawaharlal Nehru in 1957 and 1962 to be re-elected to a consecutive five-year term.[241] In the 2014 general election, the BJP became the first political party since 1984 to win a majority and govern without the support of other parties.[242] In the 2019 general election, the BJP was victorious again. The incumbent prime minister is Narendra Modi, a former chief minister of Gujarat. On 22 July 2022, Droupadi Murmu was elected India's 15th president and took the oath of office on 25 July 2022.[243] Government Main articles: Government of India and Constitution of India Rashtrapati Bhavan, the official residence of the President of India, was designed by British architects Edwin Lutyens and Herbert Baker for the Viceroy of India, and constructed between 1911 and 1931 during the British Raj.[244] India is a federation with a parliamentary system governed under the Constitution of India—the country's supreme legal document. It is a constitutional republic. Its democratic functioning has come into question in recent years, with some stating that it has become a mixed regime or electoral autocracy.[245] Federalism in India defines the power distribution between the union and the states. The Constitution of India, which came into effect on 26 January 1950,[246] originally stated India to be a "sovereign, democratic republic;" this characterisation was amended in 1971 to "a sovereign, socialist, secular, democratic republic".[247] India's form of government, traditionally described as "quasi-federal" with a strong centre and weak states,[248] has grown increasingly federal since the late 1990s as a result of political, economic, and social changes.[249][250] National symbols[1] Flag of India Emblem Sarnath Lion Capital Anthem Jana Gana Mana Song "Vande Mataram" Language None[9][10][11] Currency ₹ (Indian rupee) Calendar Saka Bird Indian peafowl Flower Lotus Fruit Mango Mammal Bengal tiger River dolphin Tree Banyan River Ganges The Government of India comprises three branches:[251] Executive: The President of India is the ceremonial head of state,[252] who is elected indirectly for a five-year term by an electoral college comprising members of national and state legislatures.[253][254] The Prime Minister of India is the head of government and exercises most executive power.[255] Appointed by the president,[256] the prime minister is by convention supported by the party or political alliance having a majority of seats in the lower house of parliament.[255] The executive of the Indian government consists of the president, the vice president, and the Union Council of Ministers—with the cabinet being its executive committee—headed by the prime minister. Any minister holding a portfolio must be a member of one of the houses of parliament.[252] In the Indian parliamentary system, the executive is subordinate to the legislature; the prime minister and their council are directly responsible to the lower house of the parliament. Civil servants act as permanent executives and all decisions of the executive are implemented by them.[257] Legislature: The legislature of India is the bicameral parliament. Operating under a Westminster-style parliamentary system, it comprises an upper house called the Rajya Sabha (Council of States) and a lower house called the Lok Sabha (House of the People).[258] The Rajya Sabha is a permanent body of 245 members who serve staggered six-year terms.[259] Most are elected indirectly by the state and union territorial legislatures in numbers proportional to their state's share of the national population.[256] All but two of the Lok Sabha's 545 members are elected directly by popular vote; they represent single-member constituencies for five-year terms.[260] Two seats of parliament, reserved for Anglo-Indians in the article 331, have been scrapped.[261][262] Judiciary: India has a three-tier unitary independent judiciary[263] comprising the supreme court, headed by the Chief Justice of India, 25 high courts, and a large number of trial courts.[263] The supreme court has original jurisdiction over cases involving fundamental rights and over disputes between states and the centre and has appellate jurisdiction over the high courts.[264] It has the power to both strike down union or state laws which contravene the constitution[265] and invalidate any government action it deems unconstitutional.[266] Administrative divisions Main article: Administrative divisions of India See also: Political integration of India India is a federal union comprising 28 states and 8 union territories.[16] All states, as well as the union territories of Jammu and Kashmir, Puducherry and the National Capital Territory of Delhi, have elected legislatures and governments following the Westminster system of governance. The remaining five union territories are directly ruled by the central government through appointed administrators. In 1956, under the States Reorganisation Act, states were reorganised on a linguistic basis.[267] There are over a quarter of a million local government bodies at city, town, block, district and village levels.[268] A clickable map of the 28 states and 8 union territories of India States Andhra Pradesh Arunachal Pradesh Assam Bihar Chhattisgarh Goa Gujarat Haryana Himachal Pradesh Jharkhand Karnataka Kerala Madhya Pradesh Maharashtra Manipur Meghalaya Mizoram Nagaland Odisha Punjab Rajasthan Sikkim Tamil Nadu Telangana Tripura Uttar Pradesh Uttarakhand West Bengal Union territories Andaman and Nicobar Islands Chandigarh Dadra and Nagar Haveli and Daman and Diu Jammu and Kashmir Ladakh Lakshadweep National Capital Territory of Delhi Puducherry Foreign, economic and strategic relations Main articles: Foreign relations of India and Indian Armed Forces During the 1950s and 60s, India played a pivotal role in the Non-Aligned Movement.[269] From left to right: Gamal Abdel Nasser of United Arab Republic (now Egypt), Josip Broz Tito of Yugoslavia and Jawaharlal Nehru in Belgrade, September 1961. In the 1950s, India strongly supported decolonisation in Africa and Asia and played a leading role in the Non-Aligned Movement.[270] After initially cordial relations with neighbouring China, India went to war with China in 1962 and was widely thought to have been humiliated.[271] This was followed by another military conflict in 1967 in which India successfully repelled Chinese attack.[272] India has had tense relations with neighbouring Pakistan; the two nations have gone to war four times: in 1947, 1965, 1971, and 1999. Three of these wars were fought over the disputed territory of Kashmir, while the third, the 1971 war, followed from India's support for the independence of Bangladesh.[273] In the late 1980s, the Indian military twice intervened abroad at the invitation of the host country: a peace-keeping operation in Sri Lanka between 1987 and 1990; and an armed intervention to prevent a 1988 coup d'état attempt in the Maldives. After the 1965 war with Pakistan, India began to pursue close military and economic ties with the Soviet Union; by the late 1960s, the Soviet Union was its largest arms supplier.[274] Aside from ongoing its special relationship with Russia,[275] India has wide-ranging defence relations with Israel and France. In recent years, it has played key roles in the South Asian Association for Regional Cooperation and the World Trade Organization. The nation has provided 100,000 military and police personnel to serve in 35 UN peacekeeping operations across four continents. It participates in the East Asia Summit, the G8+5, and other multilateral forums.[276] India has close economic ties with countries in South America,[277] Asia, and Africa; it pursues a "Look East" policy that seeks to strengthen partnerships with the ASEAN nations, Japan, and South Korea that revolve around many issues, but especially those involving economic investment and regional security.[278][279] The Indian Air Force contingent marching at the 221st Bastille Day military parade in Paris, on 14 July 2009. The parade at which India was the foreign guest was led by India's oldest regiment, the Maratha Light Infantry, founded in 1768.[280] China's nuclear test of 1964, as well as its repeated threats to intervene in support of Pakistan in the 1965 war, convinced India to develop nuclear weapons.[281] India conducted its first nuclear weapons test in 1974 and carried out additional underground testing in 1998. Despite criticism and military sanctions, India has signed neither the Comprehensive Nuclear-Test-Ban Treaty nor the Nuclear Non-Proliferation Treaty, considering both to be flawed and discriminatory.[282] India maintains a "no first use" nuclear policy and is developing a nuclear triad capability as a part of its "Minimum Credible Deterrence" doctrine.[283][284] It is developing a ballistic missile defence shield and, a fifth-generation fighter jet.[285][286] Other indigenous military projects involve the design and implementation of Vikrant-class aircraft carriers and Arihant-class nuclear submarines.[287] Since the end of the Cold War, India has increased its economic, strategic, and military co-operation with the United States and the European Union.[288] In 2008, a civilian nuclear agreement was signed between India and the United States. Although India possessed nuclear weapons at the time and was not a party to the Nuclear Non-Proliferation Treaty, it received waivers from the International Atomic Energy Agency and the Nuclear Suppliers Group, ending earlier restrictions on India's nuclear technology and commerce. As a consequence, India became the sixth de facto nuclear weapons state.[289] India subsequently signed co-operation agreements involving civilian nuclear energy with Russia,[290] France,[291] the United Kingdom,[292] and Canada.[293] Prime Minister Narendra Modi of India (left, background) in talks with President Enrique Peña Nieto of Mexico during a visit to Mexico, 2016 The President of India is the supreme commander of the nation's armed forces; with 1.45 million active troops, they compose the world's second-largest military. It comprises the Indian Army, the Indian Navy, the Indian Air Force, and the Indian Coast Guard.[294] The official Indian defence budget for 2011 was US$36.03 billion, or 1.83% of GDP.[295] Defence expenditure was pegged at US$70.12 billion for fiscal year 2022–23 and, increased 9.8% than previous fiscal year.[296][297] India is the world's second largest arms importer; between 2016 and 2020, it accounted for 9.5% of the total global arms imports.[298] Much of the military expenditure was focused on defence against Pakistan and countering growing Chinese influence in the Indian Ocean.[299] In May 2017, the Indian Space Research Organisation launched the South Asia Satellite, a gift from India to its neighbouring SAARC countries.[300] In October 2018, India signed a US$5.43 billion (over ₹400 billion) agreement with Russia to procure four S-400 Triumf surface-to-air missile defence systems, Russia's most advanced long-range missile defence system.[301] Economy Main article: Economy of India A farmer in northwestern Karnataka ploughs his field with a tractor even as another in a field beyond does the same with a pair of oxen. In 2019, 43% of India's total workforce was employed in agriculture.[302] India is the world's largest producer of milk, with the largest population of cattle. In 2018, nearly 80% of India's milk was sourced from small farms with herd size between one and two, the milk harvested by hand milking.[304] Women tend to a recently planted rice field in Junagadh district in Gujarat. 55% of India's female workforce was employed in agriculture in 2019.[303] According to the International Monetary Fund (IMF), the Indian economy in 2022 was nominally worth $3.46 trillion; it was the fifth-largest economy by market exchange rates, and is around $11.6 trillion, the third-largest by purchasing power parity (PPP).[305] With its average annual GDP growth rate of 5.8% over the past two decades, and reaching 6.1% during 2011–2012,[306] India is one of the world's fastest-growing economies.[307] However, the country ranks 139th in the world in nominal GDP per capita and 118th in GDP per capita at PPP.[308] Until 1991, all Indian governments followed protectionist policies that were influenced by socialist economics. Widespread state intervention and regulation largely walled the economy off from the outside world. An acute balance of payments crisis in 1991 forced the nation to liberalise its economy;[309] since then, it has moved increasingly towards a free-market system[310][311] by emphasising both foreign trade and direct investment inflows.[312] India has been a member of World Trade Organization since 1 January 1995.[313] The 522-million-worker Indian labour force is the world's second-largest, as of 2017.[294] The service sector makes up 55.6% of GDP, the industrial sector 26.3% and the agricultural sector 18.1%. India's foreign exchange remittances of US$100 billion in 2022,[314] highest in the world, were contributed to its economy by 32 million Indians working in foreign countries.[315] Major agricultural products include: rice, wheat, oilseed, cotton, jute, tea, sugarcane, and potatoes.[16] Major industries include: textiles, telecommunications, chemicals, pharmaceuticals, biotechnology, food processing, steel, transport equipment, cement, mining, petroleum, machinery, and software.[16] In 2006, the share of external trade in India's GDP stood at 24%, up from 6% in 1985.[310] In 2008, India's share of world trade was 1.68%;[316] In 2021, India was the world's ninth-largest importer and the sixteenth-largest exporter.[317] Major exports include: petroleum products, textile goods, jewellery, software, engineering goods, chemicals, and manufactured leather goods.[16] Major imports include: crude oil, machinery, gems, fertiliser, and chemicals.[16] Between 2001 and 2011, the contribution of petrochemical and engineering goods to total exports grew from 14% to 42%.[318] India was the world's second largest textile exporter after China in the 2013 calendar year.[319] Averaging an economic growth rate of 7.5% for several years prior to 2007,[310] India has more than doubled its hourly wage rates during the first decade of the 21st century.[320] Some 431 million Indians have left poverty since 1985; India's middle classes are projected to number around 580 million by 2030.[321] Though ranking 68th in global competitiveness,[322] as of 2010, India ranks 17th in financial market sophistication, 24th in the banking sector, 44th in business sophistication, and 39th in innovation, ahead of several advanced economies.[323] With seven of the world's top 15 information technology outsourcing companies based in India, as of 2009, the country is viewed as the second-most favourable outsourcing destination after the United States.[324] India is ranked 40th in the Global Innovation Index in 2022.[325] India's consumer market, the world's eleventh-largest, is expected to become fifth-largest by 2030.[321] Driven by growth, India's nominal GDP per capita increased steadily from US$308 in 1991, when economic liberalisation began, to US$1,380 in 2010, to an estimated US$1,730 in 2016. It is expected to grow to US$2,466 by 2022.[20] However, it has remained lower than those of other Asian developing countries such as Indonesia, Malaysia, Philippines, Sri Lanka, and Thailand, and is expected to remain so in the near future. A panorama of Bangalore, the centre of India's software development economy. In the 1980s, when the first multinational corporations began to set up centres in India, they chose Bangalore because of the large pool of skilled graduates in the area, in turn due to the many science and engineering colleges in the surrounding region.[326] According to a 2011 PricewaterhouseCoopers (PwC) report, India's GDP at purchasing power parity could overtake that of the United States by 2045.[327] During the next four decades, Indian GDP is expected to grow at an annualised average of 8%, making it potentially the world's fastest-growing major economy until 2050.[327] The report highlights key growth factors: a young and rapidly growing working-age population; growth in the manufacturing sector because of rising education and engineering skill levels; and sustained growth of the consumer market driven by a rapidly growing middle-class.[327] The World Bank cautions that, for India to achieve its economic potential, it must continue to focus on public sector reform, transport infrastructure, agricultural and rural development, removal of labour regulations, education, energy security, and public health and nutrition.[328] According to the Worldwide Cost of Living Report 2017 released by the Economist Intelligence Unit (EIU) which was created by comparing more than 400 individual prices across 160 products and services, four of the cheapest cities were in India: Bangalore (3rd), Mumbai (5th), Chennai (5th) and New Delhi (8th).[329] Industries A tea garden in Sikkim. India, the world's second largest-producer of tea, is a nation of one billion tea drinkers, who consume 70% of India's tea output. India's telecommunication industry is the second-largest in the world with over 1.2 billion subscribers. It contributes 6.5% to India's GDP.[330] After the third quarter of 2017, India surpassed the US to become the second largest smartphone market in the world after China.[331] The Indian automotive industry, the world's second-fastest growing, increased domestic sales by 26% during 2009–2010,[332] and exports by 36% during 2008–2009.[333] In 2022, India became the world's third-largest vehicle market after China and the United States, surpassing Japan.[334] At the end of 2011, the Indian IT industry employed 2.8 million professionals, generated revenues close to US$100 billion equalling 7.5% of Indian GDP, and contributed 26% of India's merchandise exports.[335] The pharmaceutical industry in India emerged as a global player. As of 2021, with 3000 pharmaceutical companies and 10,500 manufacturing units India is the world's third-largest pharmaceutical producer, largest producer of generic medicines and supply up to 50—60% of global vaccines demand, these all contribute up to US$24.44 billions in exports and India's local pharmaceutical market is estimated up to US$42 billion.[336][337] India is among the top 12 biotech destinations in the world.[338][339] The Indian biotech industry grew by 15.1% in 2012–2013, increasing its revenues from ₹204.4 billion (Indian rupees) to ₹235.24 billion (US$3.94 billion at June 2013 exchange rates).[340] Energy Main articles: Energy in India and Energy policy of India India's capacity to generate electrical power is 300 gigawatts, of which 42 gigawatts is renewable.[341] The country's usage of coal is a major cause of greenhouse gas emissions by India but its renewable energy is competing strongly.[342] India emits about 7% of global greenhouse gas emissions. This equates to about 2.5 tons of carbon dioxide per person per year, which is half the world average.[343][344] Increasing access to electricity and clean cooking with liquefied petroleum gas have been priorities for energy in India.[345] Socio-economic challenges Health workers about to begin another day of immunisation against infectious diseases in 2006. Eight years later, and three years after India's last case of polio, the World Health Organization declared India to be polio-free.[346] Despite economic growth during recent decades, India continues to face socio-economic challenges. In 2006, India contained the largest number of people living below the World Bank's international poverty line of US$1.25 per day.[347] The proportion decreased from 60% in 1981 to 42% in 2005.[348] Under the World Bank's later revised poverty line, it was 21% in 2011.[p][350] 30.7% of India's children under the age of five are underweight.[351] According to a Food and Agriculture Organization report in 2015, 15% of the population is undernourished.[352][353] The Mid-Day Meal Scheme attempts to lower these rates.[354] A 2018 Walk Free Foundation report estimated that nearly 8 million people in India were living in different forms of modern slavery, such as bonded labour, child labour, human trafficking, and forced begging, among others.[355] According to the 2011 census, there were 10.1 million child labourers in the country, a decline of 2.6 million from 12.6 million in 2001.[356] Since 1991, economic inequality between India's states has consistently grown: the per-capita net state domestic product of the richest states in 2007 was 3.2 times that of the poorest.[357] Corruption in India is perceived to have decreased. According to the Corruption Perceptions Index, India ranked 78th out of 180 countries in 2018 with a score of 41 out of 100, an improvement from 85th in 2014.[358][359] Epidemic and pandemic diseases have long been a major factor, including COVID-19 recently.[360] Demographics, languages, and religion Main articles: Demographics of India, Languages of India, and Religion in India See also: South Asian ethnic groups India by language The language families of South Asia With 1,210,193,422 residents reported in the 2011 provisional census report,[361] India was the world's second-most populous country.[q] Its population grew by 17.64% from 2001 to 2011,[363] compared to 21.54% growth in the previous decade (1991–2001).[363] The human sex ratio, according to the 2011 census, is 940 females per 1,000 males.[361] The median age was 28.7 as of 2020.[294] The first post-colonial census, conducted in 1951, counted 361 million people.[364] Medical advances made in the last 50 years as well as increased agricultural productivity brought about by the "Green Revolution" have caused India's population to grow rapidly.[365] The life expectancy in India is at 70 years—71.5 years for women, 68.7 years for men.[294] There are around 93 physicians per 100,000 people.[366] Migration from rural to urban areas has been an important dynamic in India's recent history. The number of people living in urban areas grew by 31.2% between 1991 and 2001.[367] Yet, in 2001, over 70% still lived in rural areas.[368][369] The level of urbanisation increased further from 27.81% in the 2001 Census to 31.16% in the 2011 Census. The slowing down of the overall population growth rate was due to the sharp decline in the growth rate in rural areas since 1991.[370] According to the 2011 census, there are 53 million-plus urban agglomerations in India; among them Mumbai, Delhi, Kolkata, Chennai, Bangalore, Hyderabad and Ahmedabad, in decreasing order by population.[371] The literacy rate in 2011 was 74.04%: 65.46% among females and 82.14% among males.[372] The rural-urban literacy gap, which was 21.2 percentage points in 2001, dropped to 16.1 percentage points in 2011. The improvement in the rural literacy rate is twice that of urban areas.[370] Kerala is the most literate state with 93.91% literacy; while Bihar the least with 63.82%.[372] The interior of San Thome Basilica, Chennai, Tamil Nadu. Christianity is believed to have been introduced to India by the late 2nd century by Syriac-speaking Christians. Among speakers of the Indian languages, 74% speak Indo-Aryan languages, the easternmost branch of the Indo-European languages; 24% speak Dravidian languages, indigenous to South Asia and spoken widely before the spread of Indo-Aryan languages and 2% speak Austroasiatic languages or the Sino-Tibetan languages. India has no national language.[373] Hindi, with the largest number of speakers, is the official language of the government.[374][375] English is used extensively in business and administration and has the status of a "subsidiary official language";[6] it is important in education, especially as a medium of higher education. Each state and union territory has one or more official languages, and the constitution recognises in particular 22 "scheduled languages". The 2011 census reported the religion in India with the largest number of followers was Hinduism (79.80% of the population), followed by Islam (14.23%); the remaining were Christianity (2.30%), Sikhism (1.72%), Buddhism (0.70%), Jainism (0.36%) and others[r] (0.9%).[15] India has the third-largest Muslim population—the largest for a non-Muslim majority country.[376][377] Culture Main article: Culture of India A Sikh pilgrim at the Harmandir Sahib, or Golden Temple, in Amritsar, Punjab Indian cultural history spans more than 4,500 years.[378] During the Vedic period (c. 1700 BCE – c. 500 BCE), the foundations of Hindu philosophy, mythology, theology and literature were laid, and many beliefs and practices which still exist today, such as dhárma, kárma, yóga, and mokṣa, were established.[78] India is notable for its religious diversity, with Hinduism, Buddhism, Sikhism, Islam, Christianity, and Jainism among the nation's major religions.[379] The predominant religion, Hinduism, has been shaped by various historical schools of thought, including those of the Upanishads,[380] the Yoga Sutras, the Bhakti movement,[379] and by Buddhist philosophy.[381] Visual art Main article: Indian art India has a very ancient tradition of art, which has exchanged many influences with the rest of Eurasia, especially in the first millennium, when Buddhist art spread with Indian religions to Central, East and South-East Asia, the last also greatly influenced by Hindu art.[382] Thousands of seals from the Indus Valley Civilization of the third millennium BCE have been found, usually carved with animals, but a few with human figures. The "Pashupati" seal, excavated in Mohenjo-daro, Pakistan, in 1928–29, is the best known.[383][384] After this there is a long period with virtually nothing surviving.[384][385] Almost all surviving ancient Indian art thereafter is in various forms of religious sculpture in durable materials, or coins. There was probably originally far more in wood, which is lost. In north India Mauryan art is the first imperial movement.[386][387][388] In the first millennium CE, Buddhist art spread with Indian religions to Central, East and South-East Asia, the last also greatly influenced by Hindu art.[389] Over the following centuries a distinctly Indian style of sculpting the human figure developed, with less interest in articulating precise anatomy than ancient Greek sculpture but showing smoothly-flowing forms expressing prana ("breath" or life-force).[390][391] This is often complicated by the need to give figures multiple arms or heads, or represent different genders on the left and right of figures, as with the Ardhanarishvara form of Shiva and Parvati.[392][393] Most of the earliest large sculpture is Buddhist, either excavated from Buddhist stupas such as Sanchi, Sarnath and Amaravati,[394] or is rock cut reliefs at sites such as Ajanta, Karla and Ellora. Hindu and Jain sites appear rather later.[395][396] In spite of this complex mixture of religious traditions, generally, the prevailing artistic style at any time and place has been shared by the major religious groups, and sculptors probably usually served all communities.[397] Gupta art, at its peak c. 300 CE – c. 500 CE, is often regarded as a classical period whose influence lingered for many centuries after; it saw a new dominance of Hindu sculpture, as at the Elephanta Caves.[398][399] Across the north, this became rather stiff and formulaic after c. 800 CE, though rich with finely carved detail in the surrounds of statues.[400] But in the South, under the Pallava and Chola dynasties, sculpture in both stone and bronze had a sustained period of great achievement; the large bronzes with Shiva as Nataraja have become an iconic symbol of India.[401][402] Ancient painting has only survived at a few sites, of which the crowded scenes of court life in the Ajanta Caves are by far the most important, but it was evidently highly developed, and is mentioned as a courtly accomplishment in Gupta times.[403][404] Painted manuscripts of religious texts survive from Eastern India about the 10th century onwards, most of the earliest being Buddhist and later Jain. No doubt the style of these was used in larger paintings.[405] The Persian-derived Deccan painting, starting just before the Mughal miniature, between them give the first large body of secular painting, with an emphasis on portraits, and the recording of princely pleasures and wars.[406][407] The style spread to Hindu courts, especially among the Rajputs, and developed a variety of styles, with the smaller courts often the most innovative, with figures such as Nihâl Chand and Nainsukh.[408][409] As a market developed among European residents, it was supplied by Company painting by Indian artists with considerable Western influence.[410][411] In the 19th century, cheap Kalighat paintings of gods and everyday life, done on paper, were urban folk art from Calcutta, which later saw the Bengal School of Art, reflecting the art colleges founded by the British, the first movement in modern Indian painting.[412][413] Bhutesvara Yakshis, Buddhist reliefs from Mathura, 2nd century CE Bhutesvara Yakshis, Buddhist reliefs from Mathura, 2nd century CE   Gupta terracotta relief, Krishna Killing the Horse Demon Keshi, 5th century Gupta terracotta relief, Krishna Killing the Horse Demon Keshi, 5th century   Elephanta Caves, triple-bust (trimurti) of Shiva, 18 feet (5.5 m) tall, c. 550 Elephanta Caves, triple-bust (trimurti) of Shiva, 18 feet (5.5 m) tall, c. 550   Chola bronze of Shiva as Nataraja ("Lord of Dance"), Tamil Nadu, 10th or 11th century Chola bronze of Shiva as Nataraja ("Lord of Dance"), Tamil Nadu, 10th or 11th century   Jahangir Receives Prince Khurram at Ajmer on His Return from the Mewar Campaign, Balchand, c. 1635 Jahangir Receives Prince Khurram at Ajmer on His Return from the Mewar Campaign, Balchand, c. 1635   Krishna Fluting to the Milkmaids, Kangra painting, 1775–1785 Krishna Fluting to the Milkmaids, Kangra painting, 1775–1785 Architecture Main article: Architecture of India The Taj Mahal from across the Yamuna river showing two outlying red sandstone buildings, a mosque on the right (west) and a jawab (response) thought to have been built for architectural balance Much of Indian architecture, including the Taj Mahal, other works of Indo-Islamic Mughal architecture, and South Indian architecture, blends ancient local traditions with imported styles.[414] Vernacular architecture is also regional in its flavours. Vastu shastra, literally "science of construction" or "architecture" and ascribed to Mamuni Mayan,[415] explores how the laws of nature affect human dwellings;[416] it employs precise geometry and directional alignments to reflect perceived cosmic constructs.[417] As applied in Hindu temple architecture, it is influenced by the Shilpa Shastras, a series of foundational texts whose basic mythological form is the Vastu-Purusha mandala, a square that embodied the "absolute".[418] The Taj Mahal, built in Agra between 1631 and 1648 by orders of Mughal emperor Shah Jahan in memory of his wife, has been described in the UNESCO World Heritage List as "the jewel of Muslim art in India and one of the universally admired masterpieces of the world's heritage".[419] Indo-Saracenic Revival architecture, developed by the British in the late 19th century, drew on Indo-Islamic architecture.[420] Literature Main article: Indian literature The earliest literature in India, composed between 1500 BCE and 1200 CE, was in the Sanskrit language.[421] Major works of Sanskrit literature include the Rigveda (c. 1500 BCE – c. 1200 BCE), the epics: Mahābhārata (c. 400 BCE – c. 400 CE) and the Ramayana (c. 300 BCE and later); Abhijñānaśākuntalam (The Recognition of Śakuntalā, and other dramas of Kālidāsa (c. 5th century CE) and Mahākāvya poetry.[422][423][424] In Tamil literature, the Sangam literature (c. 600 BCE – c. 300 BCE) consisting of 2,381 poems, composed by 473 poets, is the earliest work.[425][426][427][428] From the 14th to the 18th centuries, India's literary traditions went through a period of drastic change because of the emergence of devotional poets like Kabīr, Tulsīdās, and Guru Nānak. This period was characterised by a varied and wide spectrum of thought and expression; as a consequence, medieval Indian literary works differed significantly from classical traditions.[429] In the 19th century, Indian writers took a new interest in social questions and psychological descriptions. In the 20th century, Indian literature was influenced by the works of the Bengali poet, author and philosopher Rabindranath Tagore,[430] who was a recipient of the Nobel Prize in Literature. Performing arts and media Main articles: Music of India, Dance in India, Cinema of India, and Television in India India's National Academy of Performance Arts has recognised eight Indian dance styles to be classical. One such is Kuchipudi shown here. Indian music ranges over various traditions and regional styles. Classical music encompasses two genres and their various folk offshoots: the northern Hindustani and the southern Carnatic schools.[431] Regionalised popular forms include filmi and folk music; the syncretic tradition of the bauls is a well-known form of the latter. Indian dance also features diverse folk and classical forms. Among the better-known folk dances are: bhangra of Punjab, bihu of Assam, Jhumair and chhau of Jharkhand, Odisha and West Bengal, garba and dandiya of Gujarat, ghoomar of Rajasthan, and lavani of Maharashtra. Eight dance forms, many with narrative forms and mythological elements, have been accorded classical dance status by India's National Academy of Music, Dance, and Drama. These are: bharatanatyam of the state of Tamil Nadu, kathak of Uttar Pradesh, kathakali and mohiniyattam of Kerala, kuchipudi of Andhra Pradesh, manipuri of Manipur, odissi of Odisha, and the sattriya of Assam.[432] Theatre in India melds music, dance, and improvised or written dialogue.[433] Often based on Hindu mythology, but also borrowing from medieval romances or social and political events, Indian theatre includes: the bhavai of Gujarat, the jatra of West Bengal, the nautanki and ramlila of North India, tamasha of Maharashtra, burrakatha of Andhra Pradesh and Telangana, terukkuttu of Tamil Nadu, and the yakshagana of Karnataka.[434] India has a theatre training institute the National School of Drama (NSD) that is situated at New Delhi It is an autonomous organisation under the Ministry of culture, Government of India.[435] The Indian film industry produces the world's most-watched cinema.[436] Established regional cinematic traditions exist in the Assamese, Bengali, Bhojpuri, Hindi, Kannada, Malayalam, Punjabi, Gujarati, Marathi, Odia, Tamil, and Telugu languages.[437] The Hindi language film industry (Bollywood) is the largest sector representing 43% of box office revenue, followed by the South Indian Telugu and Tamil film industries which represent 36% combined.[438] Television broadcasting began in India in 1959 as a state-run medium of communication and expanded slowly for more than two decades.[439][440] The state monopoly on television broadcast ended in the 1990s. Since then, satellite channels have increasingly shaped the popular culture of Indian society.[441] Today, television is the most penetrative media in India; industry estimates indicate that as of 2012 there are over 554 million TV consumers, 462 million with satellite or cable connections compared to other forms of mass media such as the press (350 million), radio (156 million) or internet (37 million).[442] Society Muslims offer namaz at a mosque in Srinagar, Jammu and Kashmir. Traditional Indian society is sometimes defined by social hierarchy. The Indian caste system embodies much of the social stratification and many of the social restrictions found on the Indian subcontinent. Social classes are defined by thousands of endogamous hereditary groups, often termed as jātis, or "castes".[443] India abolished untouchability in 1950 with the adoption of the constitution and has since enacted other anti-discriminatory laws and social welfare initiatives. Family values are important in the Indian tradition, and multi-generational patrilineal joint families have been the norm in India, though nuclear families are becoming common in urban areas.[444] An overwhelming majority of Indians, with their consent, have their marriages arranged by their parents or other family elders.[445] Marriage is thought to be for life,[445] and the divorce rate is extremely low,[446] with less than one in a thousand marriages ending in divorce.[447] Child marriages are common, especially in rural areas; many women wed before reaching 18, which is their legal marriageable age.[448] Female infanticide in India, and lately female foeticide, have created skewed gender ratios; the number of missing women in the country quadrupled from 15 million to 63 million in the 50-year period ending in 2014, faster than the population growth during the same period, and constituting 20 percent of India's female electorate.[449] According to an Indian government study, an additional 21 million girls are unwanted and do not receive adequate care.[450] Despite a government ban on sex-selective foeticide, the practice remains commonplace in India, the result of a preference for boys in a patriarchal society.[451] The payment of dowry, although illegal, remains widespread across class lines.[452] Deaths resulting from dowry, mostly from bride burning, are on the rise, despite stringent anti-dowry laws.[453] Many Indian festivals are religious in origin. The best known include: Diwali, Ganesh Chaturthi, Thai Pongal, Holi, Durga Puja, Eid ul-Fitr, Bakr-Id, Christmas, and Vaisakhi.[454][455] Education Main articles: Education in India, Literacy in India, and History of education in the Indian subcontinent Children awaiting school lunch in Rayka (also Raika), a village in rural Gujarat. The salutation Jai Bhim written on the blackboard honours the jurist, social reformer, and Dalit leader B. R. Ambedkar. In the 2011 census, about 73% of the population was literate, with 81% for men and 65% for women. This compares to 1981 when the respective rates were 41%, 53% and 29%. In 1951 the rates were 18%, 27% and 9%. In 1921 the rates 7%, 12% and 2%. In 1891 they were 5%, 9% and 1%,[456][457] According to Latika Chaudhary, in 1911 there were under three primary schools for every ten villages. Statistically, more caste and religious diversity reduced private spending. Primary schools taught literacy, so local diversity limited its growth.[458] The education system of India is the world's second-largest.[459] India has over 900 universities, 40,000 colleges[460] and 1.5 million schools.[461] In India's higher education system, a significant number of seats are reserved under affirmative action policies for the historically disadvantaged. In recent decades India's improved education system is often cited as one of the main contributors to its economic development.[462][463] Clothing Main article: Clothing in India Women in sari at an adult literacy class in Tamil Nadu A man in dhoti and wearing a woollen shawl, in Varanasi From ancient times until the advent of the modern, the most widely worn traditional dress in India was draped.[464] For women it took the form of a sari, a single piece of cloth many yards long.[464] The sari was traditionally wrapped around the lower body and the shoulder.[464] In its modern form, it is combined with an underskirt, or Indian petticoat, and tucked in the waist band for more secure fastening. It is also commonly worn with an Indian blouse, or choli, which serves as the primary upper-body garment, the sari's end—passing over the shoulder—serving to cover the midriff and obscure the upper body's contours.[464] For men, a similar but shorter length of cloth, the dhoti, has served as a lower-body garment.[465] Women (from left to right) in churidars and kameez (with back to the camera), jeans and sweater, and pink Shalwar kameez The use of stitched clothes became widespread after Muslim rule was established at first by the Delhi sultanate (c. 1300 CE) and then continued by the Mughal Empire (c. 1525 CE).[466] Among the garments introduced during this time and still commonly worn are: the shalwars and pyjamas, both styles of trousers, and the tunics kurta and kameez.[466] In southern India, the traditional draped garments were to see much longer continuous use.[466] Shalwars are atypically wide at the waist but narrow to a cuffed bottom. They are held up by a drawstring, which causes them to become pleated around the waist.[467] The pants can be wide and baggy, or they can be cut quite narrow, on the bias, in which case they are called churidars. When they are ordinarily wide at the waist and their bottoms are hemmed but not cuffed, they are called pyjamas. The kameez is a long shirt or tunic,[468] its side seams left open below the waist-line.[469] The kurta is traditionally collarless and made of cotton or silk; it is worn plain or with embroidered decoration, such as chikan; and typically falls to either just above or just below the wearer's knees.[470] In the last 50 years, fashions have changed a great deal in India. Increasingly, in urban northern India, the sari is no longer the apparel of everyday wear, though they remain popular on formal occasions.[471] The traditional shalwar kameez is rarely worn by younger urban women, who favour churidars or jeans.[471] In white-collar office settings, ubiquitous air conditioning allows men to wear sports jackets year-round.[471] For weddings and formal occasions, men in the middle- and upper classes often wear bandgala, or short Nehru jackets, with pants, with the groom and his groomsmen sporting sherwanis and churidars.[471] The dhoti, once the universal garment of Hindu males, the wearing of which in the homespun and handwoven khadi allowed Gandhi to bring Indian nationalism to the millions,[472] is seldom seen in the cities.[471] Cuisine Main article: Indian cuisine South Indian vegetarian thali, or platter Railway mutton curry from Odisha The foundation of a typical Indian meal is a cereal cooked in a plain fashion and complemented with flavourful savoury dishes.[473] The cooked cereal could be steamed rice; chapati, a thin unleavened bread made from wheat flour, or occasionally cornmeal, and griddle-cooked dry;[474] the idli, a steamed breakfast cake, or dosa, a griddled pancake, both leavened and made from a batter of rice- and gram meal.[475] The savoury dishes might include lentils, pulses and vegetables commonly spiced with ginger and garlic, but also with a combination of spices that may include coriander, cumin, turmeric, cinnamon, cardamon and others as informed by culinary conventions.[473] They might also include poultry, fish, or meat dishes. In some instances, the ingredients might be mixed during the process of cooking.[476] A platter, or thali, used for eating usually has a central place reserved for the cooked cereal, and peripheral ones for the flavourful accompaniments, which are often served in small bowls. The cereal and its accompaniments are eaten simultaneously rather than a piecemeal manner. This is accomplished by mixing—for example of rice and lentils—or folding, wrapping, scooping or dipping—such as chapati and cooked vegetables or lentils.[473] 0:14 A tandoor chef in the Turkman Gate, Old Delhi, makes Khameeri roti (a Muslim-influenced style of leavened bread).[477] India has distinctive vegetarian cuisines, each a feature of the geographical and cultural histories of its adherents.[478] The appearance of ahimsa, or the avoidance of violence toward all forms of life in many religious orders early in Indian history, especially Upanishadic Hinduism, Buddhism and Jainism, is thought to have contributed to the predominance of vegetarianism among a large segment of India's Hindu population, especially in southern India, Gujarat, the Hindi-speaking belt of north-central India, as well as among Jains.[478] Although meat is eaten widely in India, the proportional consumption of meat in the overall diet is low.[479] Unlike China, which has increased its per capita meat consumption substantially in its years of increased economic growth, in India the strong dietary traditions have contributed to dairy, rather than meat, becoming the preferred form of animal protein consumption.[480] The most significant import of cooking techniques into India during the last millennium occurred during the Mughal Empire. Dishes such as the pilaf,[481] developed in the Abbasid caliphate,[482] and cooking techniques such as the marinating of meat in yogurt, spread into northern India from regions to its northwest.[483] To the simple yogurt marinade of Persia, onions, garlic, almonds, and spices began to be added in India.[483] Rice was partially cooked and layered alternately with the sauteed meat, the pot sealed tightly, and slow cooked according to another Persian cooking technique, to produce what has today become the Indian biryani,[483] a feature of festive dining in many parts of India.[484] In the food served in Indian restaurants worldwide the diversity of Indian food has been partially concealed by the dominance of Punjabi cuisine. The popularity of tandoori chicken—cooked in the tandoor oven, which had traditionally been used for baking bread in the rural Punjab and the Delhi region, especially among Muslims, but which is originally from Central Asia—dates to the 1950s, and was caused in large part by an entrepreneurial response among people from the Punjab who had been displaced by the 1947 partition of India.[478] Sports and recreation Main article: Sport in India Girls play hopscotch in Jaora, Madhya Pradesh. Hopscotch has been commonly played by girls in rural India.[485] Several traditional indigenous sports such as kabaddi, kho kho, pehlwani and gilli-danda, and also martial arts such as Kalarippayattu and marma adi, remain popular. Chess is commonly held to have originated in India as chaturaṅga;[486] in recent years, there has been a rise in the number of Indian grandmasters.[487] Viswanathan Anand became the Chess World Champion in 2007 and held the status until 2013.[488] Parcheesi is derived from Pachisi, another traditional Indian pastime, which in early modern times was played on a giant marble court by Mughal emperor Akbar the Great.[489] Cricket is the most popular sport in India.[490] Major domestic competitions include the Indian Premier League, which is the most-watched cricket league in the world and ranks sixth among all sports leagues.[491] Other professional leagues include the Indian Super League (football) and the Pro Kabaddi league.[492][493][494] Indian cricketer Sachin Tendulkar about to score a record 14,000 runs in Test cricket while playing against Australia in Bangalore, 2010 India has won two ODI Cricket world cups, the 1983 edition and the 2011 edition, as well as becoming the inaugural Twenty20 International Cricket Champions in 2007. India also has eight field hockey gold medals in the summer olympics[495] The improved results garnered by the Indian Davis Cup team and other Indian tennis players in the early 2010s have made tennis increasingly popular in the country.[496] India has a comparatively strong presence in shooting sports, and has won several medals at the Olympics, the World Shooting Championships, and the Commonwealth Games.[497][498] Other sports in which Indians have succeeded internationally include badminton[499] (Saina Nehwal and P. V. Sindhu are two of the top-ranked female badminton players in the world), boxing,[500] and wrestling.[501] Football is popular in West Bengal, Goa, Tamil Nadu, Kerala, and the north-eastern states.[502] India has hosted or co-hosted several international sporting events: the 1951 and 1982 Asian Games; the 1987, 1996, and 2011 Cricket World Cup tournaments; the 2003 Afro-Asian Games; the 2006 ICC Champions Trophy; the 2009 World Badminton Championships; the 2010 Hockey World Cup; the 2010 Commonwealth Games; and the 2017 FIFA U-17 World Cup. Major international sporting events held annually in India include the Maharashtra Open, the Mumbai Marathon, the Delhi Half Marathon, and the Indian Masters. The first Formula 1 Indian Grand Prix featured in late 2011 but has been discontinued from the F1 season calendar since 2014.[503] India has traditionally been the dominant country at the South Asian Games. An example of this dominance is the basketball competition where the Indian team won four out of five tournaments to date.[504] See also flag India portal icon Asia portal Administrative divisions of India Outline of India
  • Condition: Used
  • Type: Photograph
  • Year of Production: 1880

PicClick Insights - INDIAN PHOTOGRAPHER vintage photo big gun Bidar fort India c1880 LALA DEEN DAYAL PicClick Exclusive

  •  Popularity - 0 watchers, 0.0 new watchers per day, 36 days for sale on eBay. 0 sold, 1 available.
  •  Best Price -
  •  Seller - 808+ items sold. 0% negative feedback. Great seller with very good positive feedback and over 50 ratings.

People Also Loved PicClick Exclusive