In this three-volume set published posthumously in 1877, the influential Cambridge classicist Edward Meredith Cope analyses Aristotle's monumental treatise on the art of persuasion. Volume 3 contains the Greek text of Book 3 and Cope's discussion of Aristotle's understanding of style and arrangement as rhetorical devices.
FORMAT Paperback LANGUAGE English CONDITION Brand NewEdward Meredith Cope (1818–1873) was an English scholar of classics who served as Fellow and Tutor at Trinity College, Cambridge. One of the leading Greek specialists of his time, Cope published An Introduction to Aristotle's Rhetoric in 1867. Though now considered a 'standard work', that Introduction was intended as merely the first part of a full critical edition of the Rhetoric, which was left incomplete on Cope's death in 1873. Cope's manuscripts were collected and edited by John Edwin Sandys, and published in this three-volume set in 1877. Cope's analysis represented an important advance in the modern interpretation of this foundational text on the art of persuasion. Volume 3 contains the Greek text of Book 3 together with a commentary on Aristotle's understanding of style, arrangement and other rhetorical devices.
Text and commentary, Book 3; Appendix E; Greek index; Supplementary index.
A landmark 1877 commentary on a foundational text of Western thought.
A landmark 1877 commentary on a foundational text of Western thought.
In this three-volume set published posthumously in 1877, the influential Cambridge classicist Edward Meredith Cope analyses Aristotle's monumental treatise on the art of persuasion. Volume 3 contains the Greek text of Book 3 and Cope's discussion of Aristotle's understanding of style and arrangement as rhetorical devices.
In this three-volume set published posthumously in 1877, the influential Cambridge classicist Edward Meredith Cope analyses Aristotle's monumental treatise on the art of persuasion. Volume 3 contains the Greek text of Book 3 and Cope's discussion of Aristotle's understanding of style and arrangement as rhetorical devices.
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